Monthly Archives: July 2015

Deciding What to Write Next

Carolyn Mulford Posted on by

After working on a manuscript almost a year, I’m waiting for my two chapter-by-chapter readers’ to offer comments on a one-gulp read before doing the final polish. This gives me time to start catching up on repairs (e.g., hinges on cabinet doors), life-business tasks (e.g., comparing rates for car insurance), and cleaning (e.g., the whole house).

More important to me, the short break gives me an opportunity to decide what to write next.

For three years I’ve concentrated on the Show Me mystery series. The latest manuscript completes a five-book arc. In the six months covered in the books, my major characters’ lives have changed significantly. Before I build a new three-book arc (three more years of work), I need a break.

Short stories?

A short project appeals to me. Short stories? Not my favorite medium, but I’ve used them before to explore the desirability of characters and situations for novels. One idea I really like could become a series of hefty short stories rather than a novel.

If I opt to go that route, I won’t seek a publisher, a time-consuming, frustrating, and likely fruitless process. Instead I’ll publish each short story online and, if readers like them, eventually turn the collection into a volume.

One idea that intrigues me is writing a short story from the point of view of Achilles, the Belgian Malinois popular with readers of the Show Me mysteries. Maybe I’ll try one short and, if it works, test it on my website as a free read. Or perhaps turn it into a children’s book.

Historicals for young readers?

Another possibility is to write more MG/YA historical novels. These run a third to a half as many words as the adult books and take less time to write and revise. For several years, I’ve been thinking about an MG/YA set during World War II. Or I could do a sequel to The Feedsack Dress, which many readers have loved, or to Thunder Beneath My Feet, which will be released in January.

Historical novels require considerable historical research. The libraries here provide excellent resources, and I enjoy digging into the past. On the other hand, research adds one to three months of work time to a manuscript.

Revise an earlier manuscript?

During another break several years ago, I pulled out the manuscript of The Feedsack Dress and revised it with the help of my critique group. Then I sold it.

I’ve learned a lot as I’ve written the Show Me series. Enough to turn an earlier manuscript into a viable series opener? Even a major revision would take much less time than writing a book-length manuscript from scratch. If, upon rereading the old manuscript, I still like my characters and plot, I’ll give the manuscript another chance at life.

Stay tuned. I’m determined to plunge into a new project by Labor Day.

—Carolyn Mulford

Talking About My Books

Carolyn Mulford Posted on by

The work on a book doesn’t end when it’s published. Saturday morning, July 11, I’m performing one of the most pleasant of the follow-up tasks: talking to people who have read Show Me the Gold or think they may.

I’ll hold the floor for an hour at the monthly Osher Saturday Morning Book Talk, Room D, 1907 Hillcrest Drive, Columbia, MO. Readers gather for coffee (included in the $3 admission) and pastry at 9:30 a.m. The show begins a little before 10. A group of mystery fans, the Ashland Mystery Book Club, is sponsoring my talk.

What do these readers want to know? Organizer Kit Salter tells me they’re curious about the writer as well as the book. I’ll touch on how and why I finally became a mystery writer.

Series dominate mysteries, so I anticipate interest in the origin and development of my Show Me series. Most of the rest of my prepared talk will cover my characters and themes, most particularly in Show Me the Gold. If I don’t talk too much, I’ll read short passages to illustrate points and give a flavor of the writing.

To make sure the readers hear what they want to know, we’ll end the talk with a Q&A and hang around for signing and chatting.

No part of the publication process gives me greater pleasure than the writing, but talking to readers comes close.

—Carolyn Mulford

The Lull Before the Final Draft

Carolyn Mulford Posted on by

Years of editing others’ work taught me that even good writers can’t see their own mistakes, particularly the big ones. Years of editing my own work proved I’m as fallible as other writers.

I also learned to guard against one particular problem in my own writing: failing to go far enough in fixing a problem. If I write a scene wrong the first time around, for example, my first or second revision may not get it right. So after I’ve completed a draft with advice from my chapter-by-chapter critiquers and revised accordingly, I ask two to four people to read the manuscript as though it were a book they checked out of the library.

I don’t ask these readers about specific things that may be wrong. That draws their attention to a single aspect rather than the whole. Instead I ask a few general questions, including the following.

Did you become bored anywhere?

Did anything confuse you?

When did you know who done it?

Could you keep the characters straight?

If you’d checked this out of the library, would you have finished it? If not, where would you have stopped reading.

Most people ignore these questions until after they’ve read the manuscript. And sometimes forever. That’s fine with me. Whatever feedback I receive is helpful.

While they’re reading, I take a mental vacation from the book. In the last stages of the first draft and in the immediate follow-up revision, I think about the manuscript day and night. I need to distance myself from it so that I can come back with a fresh, more objective view.

Doing something completely different helps. A change of environment, as in a short trip, works well. During this lull before the tackling the final draft, I’ve been updating my website, working on my neglected lawn, and preparing a book talk.

One reader’s report has come in. The manuscript reads fast, the complicated plot doesn’t confuse, the characters are distinctive. As usual, however, I still have one important problem to fix in the final draft.

—Carolyn Mulford