How Editors Stay in Style

Carolyn Mulford Posted on by

If you’re an editor, you know the importance of the new 1192-page 18th edition of the Chicago Manual of Style. Since the University of Chicago Press published the first edition in 1906, other book publishers, many periodicals, and now electronic publications have accepted Chicago as the primary guide. Even publishers who write their own style manuals, or settle for a pamphlet on which Chicago guidelines they don’t accept, study the latest edition to adjust editorial styles. Without style manuals, we would rely on writers’ personal preferences and editors’ memories to be consistent on thousands of disputed questions. The two most … Continue reading →

In Praise of “Said”

Carolyn Mulford Posted on by

When I began the transition from nonfiction to fiction, writing dialogue seemed easy. Then my critique readers pointed out my lack of skill in using tags, the words that identify the speaker. In general, tags precede (Mary said, “You’re late. Get going.”), lie within, (“You’re late,” Mary said. “Get going.”), or follow the dialogue (“You’re late. Get going,” Mary said.).  Even if only two people are talking, readers need reminders of which one’s speaking after a few exchanges. The writer fails if the reader has to go back to figure out who’s saying what. Rule of thumb: When the reader … Continue reading →

Why I Write Short Stories

Carolyn Mulford Posted on by

For years I wrote and edited commercial newsletters. I got tired of the short form, limited content, and demands for accuracy and objectivity. So in my early sixties I revived my dormant goal of writing novels. Switching from nonfiction to fiction and from 600 to 90,000 words forced me to learn new skills, activate a different part of my brain, and face the financial reality that fiction doesn’t pay well or soon. For the next 10 years, as I served my fiction apprenticeship, my earnings came almost  exclusively from my freelance editorial work. In spare hours, I concentrated on learning … Continue reading →

Advice to My Younger Self

Carolyn Mulford Posted on by

What message would you give your younger self? I didn’t want to answer that question, the topic for conversation at a recent lunch. My naïve teenage self knew little of life beyond my farming community, and the whole world has changed incredibly since then. Specific advice from my work as a writer or my griefs and gratifications as an adult would have meant little to me then. Reluctantly I dredged up five general observations that might have helped me 70 years ago. Life is a learning process. Growth doesn’t stop in our twenties, or even fifties. You never know enough … Continue reading →

My One-Room School

Carolyn Mulford Posted on by

In the 1940s, my sisters and I sometimes wore feedsack dresses, blouses, and skirts to the one-room school a half mile from our farm. Our family had a history there. My grandmother’s family had donated the land for the school, my father had received his eight years of education there, and my mother had met him while teaching there and spending her summers taking undergraduate courses. On a typical day, we rushed to school to play a few minutes before the teacher rang the handbell at 8:55 for our 9 o’clock start. In mild weather, the dozen or so pupils … Continue reading →

Messing with Easter Eggs

Carolyn Mulford Posted on by

Recently a TV “news” program showed a new scientific advance—a mess-free way to color Easter eggs. The reporter—a parent—enthused over the convenience as a saleswoman placed a boiled egg in a holder, poured a liquid color into a mini tank behind it, and automated tiny brushes that made uniform blue lines on the rotating egg. She explained that the gadget offered other colors and patterns. Neat but boring, I thought. Do kids today really enjoy programmed designs more than individual creativity? Back in the feedsack days, my sisters and I relished blending colors and making each egg distinctive. Have attitudes … Continue reading →

Why I Wrote The Feedback Dress

Carolyn Mulford Posted on by

Over more than 30 years, I wrote and rewrote The Feedsack Dress, my first published novel. For the record, here are my recollections of why I began writing it and why I persisted in finishing it and finding editors smart enough to buy it. I grew up on a small farm near Kirksville, Missouri, in the 1940s and 1950s. With cows to milk morning and evening, we stuck close to home, but on Sunday afternoons my father sometimes drove us around on the gravel roads to see how the crops and livestock were faring on other farms. My world expanded … Continue reading →

An Aging Writer’s Resolutions

Carolyn Mulford Posted on by

In my early sixties, I resolved to phase out my career as a freelance writer/editor and ease into semi-retirement as a novelist. As a first step, I took a course on writing mysteries. I followed up by forming a critique group with other aspiring writers and writing, at night, a chapter a week. I finished the first draft of my mystery in about a year. I learned a tremendous amount and became comfortable writing fiction, which requires a different mindset than nonfiction. I couldn’t sell the manuscript even after revision, but writers learn to withstand rejection. I resolved to devote … Continue reading →

Why we needed Title IX before 1972

Carolyn Mulford Posted on by

The fiftieth anniversary of Title IX, a landmark law requiring gender equality in schools receiving federal funds, reminded me of how little opportunity to play sports most females of my generation had. (Title IX changed much more than sports, but that’s another story.) In my one-room school with roughly a dozen students in grades one through eight, we had no organized physical education program for girls or boys. We played together at recess and noon, mostly baseball or games involving some form of tag. Our entire sporting equipment consisted of two bats, a softball, a baseball, and a volleyball (used for … Continue reading →

Concert Jogs Memories of Vienna

Carolyn Mulford Posted on by

Memories interrupted my enjoyment of the Vienna Philharmonic’s New Year’s concert broadcast last night on PBS. Unlike my Show Me protagonist, a CIA covert operative embedded in Vienna, I lived there only three years, but we shared a love of the city’s music. I went to the opera, an orchestra concert, chamber music, an operetta, or some other musical performance once or twice a week. Tickets were cheap, particularly if you were willing to sit in the balcony directly above a chamber orchestra using the instruments in vogue when the music was composed centuries ago. You could usually get a … Continue reading →

New Sinister Snowman Edition

Carolyn Mulford Posted on by

Covid-19 stopped printers cold last spring. Consequently, the mass market paperback edition of Show Me the Sinister Snowman missed its slot in the printing queue. With the snow gone (until next winter, I hope), Harlequin Worldwide Mystery has just released the fifth book in the Show Me series.     This one finds Phoenix and friends trapped in an isolated mansion by a blizzard. Their housemates are aspiring political candidates and potential donors, one of whom intends to lessen their number before the roads clear. Phoenix has come to the meeting with two goals: to support Annalynn’s electoral dreams and … Continue reading →

Memories Sparked The Feedsack Dress

Carolyn Mulford Posted on by

When I began writing The Feedsack Dress almost 50 years ago, I asked my mother and two sisters to talk about their memories of 1949. I’d chosen that year for the novel because my recollections and my research identified it as a time of transition for the country, our rural Missouri community, and our family. Our discussion evoked many forgotten details and produced a major plot point. We gathered around the kitchen table at my parents’ farm on a hot summer day. To my surprise, each of us remembered not only different movies and music but also different versions of events, … Continue reading →